My interest for Camera, Light and Sound has
blown through the roof ever since I took up the module. Not having the best of
knowledges in this particular subject proved bit of a disadvantage for myself,
but over the coming months this changed drastically attending lectures day in
day out and having that opportunity on learning new things felt amazing.
Getting hands on with various professional cameras and being able to gain a
deeper insight into the technical side of things allowed me to propel myself as
an individual and grow a much bigger passion of this particular subject. I was
able to use my skills of being a cameraman and get good shots every time we had
a task to do. Having good vision also gave me an advantage as i was able to
obtain a wide variety of cinematic/TV like shots with both hand held and stable
cameras.
Lighting is another major role in everything
we do on set as it can create any atmosphere you would want to create and put
you in a certain mood depending on how bright or how dim the lighting can be.
My role for this hasn't particularly been the greatest as I still believe I
have room for improvement on everything as you can never be too perfect. Not
only does it have to be in the studio but lighting can be used outdoors and
give the picture/video a more feel and vibe depending on what light is used.
Sound for me could say isn't the greatest of them all. Not having choosing a
sound role for any of the productions has disadvantaged me in excelling in this
particular field as I’ve simply not chosen to pick it which has ultimately come
down to it being my weakest out of the three. This has come across as a trial
for me as I am yet to gain a deeper understanding and much deeper insight into
sound.
Attending lectures continuously and being able
to learn something new every day I was able to use the skills and knowledge
which I had gathered from the classroom and bring it with me to the studio, and
apply it to my role of a camera operator. Being a camera operator from then on
I was able to out of confidence film good shots within the studio without the
guidance of the director himself. Obviously it won’t be perfect so whenever
needed for support I will ask.
As mentioned above lighting links with being
a camera operator as you would want to constantly think about it depending on
what you are filming. So for instance if we were to be recording a talk show
and the host wanted to feel dominant or if we as a crew wanted to make him feel
like that we would use a low level lighting to do so. This can also be put into
use with a music video for example the lead singer would have the spotlight
making her the attracted target for the audience. In terms of background music,
different lighting would be used, so if a sad song was playing then a duller
and grey like lighting would make the environment a sad one, vice versa with a
happy song then bright and colourful lighting would be used to bring the mood
up in the room.
Sound, like the other two is another key role in representing your
characters for whatever your recording being a talk show, music video, or even
a drama we have to make sure sounds clipped on and nothing interrupts the audio
were after, this could be unnecessary background noise. Talk shows host will
usually have a clip on mic attached to his shirt to gather every possible sound
he is giving off mainly his speech. Now if I was to record an interview and the
environment was to be noisy than the best option to use here for sound would be
the shotgun microphone with a boom attached if needed to capture every sound of
the interviewee talking so it cancels out the unnecessary background noise. In
this case and my opinion an Omni mic wouldn’t be wise to use on set as it
wouldn’t just capture the sound of the interviewee but everything around it making
it problematic for the viewers and audience to listen in.
Back to camera again and angles is vital whilst recording the subject
as it may take the viewers off track and this may divert attention away from
the show we are recording and we wouldn’t want this to happen. Working off site
from university and being able to complete our projects, gave me opportunities
to build on my experiences with a camera and by doing several I was able to
gain as much as practice as possible on my camera movements such as good shots,
stability and handheld movement. Being able to capture good footage without a
tripod or a jib can prove to be skilful. A challenging example of this was on
my chase task where I had to follow the character in motion whilst also
running, I tried to get a variety of shots whilst running and being in focus at
the same time but succeeded.
· Composition
· Lens Choices
· Control of
Aperture
· Control of
digital ‘film speed’ or ISO
· Control of
Shutter
· Use of Focus
(& it’s relationship with light)
· VISUAL
ORGANISATION
Balance / Imbalance in frame
Clear Directionality in line
Linear Perspective (Converging Diagonal Lines) Open Frame / Closed Frame
Frame within a Frame
Clear Directionality in line
Linear Perspective (Converging Diagonal Lines) Open Frame / Closed Frame
Frame within a Frame
· PROPORTION
The Rule of thirds
The ‘Sinuous S’ Compositional Triangle
The ‘Sinuous S’ Compositional Triangle
· LENS EFFECTS
Effect of Short Lenses on space Effect of Long Lenses on space Deep
Focus
Shallow or Specific Focus
Shallow or Specific Focus
· APERTURE / SHUTTER
Under Exposure
Correct Exposure
Over Exposure
Blurred movement within a still frame Sharp movement within a still frame Night Scene
Correct Exposure
Over Exposure
Blurred movement within a still frame Sharp movement within a still frame Night Scene
Another task which I really enjoyed was 'The Chase' exercise where we were required to film and edit a five-minute action film with a long chase sequence occupying the majority of screen time. This was an interesting task as we had to share the camera operator role amongst us. This proved to be quite a challenging one as I was also acting in my film so the rotation was done quite swiftly with no hesitation. In particular attention had to be paid to the following:
· Camera Settings
· Camera Positioning (in both planes of action)
· Camera Movement in relation to the action
· The Lens Settings when choosing your frames
· Continuity of Action from shot to shot
· The 180-degree rule (or The Line)
Having the opportunity to attend this event and being able to get hands on with the sort of equipment that professionals deal with was extraordinary. This has enabled me attend this events every year and given me the drive to succeed to the best of ability in perfecting my skills behind a camera, lighting and sound. Coming onto the theory side of things for camera, light and sound I have learnt not only so much but new things every day. Putting theory into practice whilst filming every other day has made me gather the experience on location.
Although this module is more on the technical side of things my interest has mainly been towards camera and lighting. As for sound I was determined to overcome this challenge. During the lectures we learnt how audio was recorded onto our cameras. It records two audio tracks via two channels this being Channel one and two, now the controls for this audio gives us a chance to record the levels either automatically or manually. Now as always the most important thing to remember before every recording is to make sure it’s clear to listen and no interruptions.
Sound has several microphones we can work with these being a:
·
Clip Mic
·
Rifle Mic
·
Condenser
·
Dynamic
Lavalier microphone or as everyone else likes to call it 'Clip mic' is a small electret or ribbon diaphragm often used in for television talk shows, theatre performances and even public speaking events which allows for a hands free operation. This is usually provided with a small clip to easily clip onto your collar, tie or other piece of clothing. The cord is easily hidden away from cameras view by their clothing. A transmitter is either kept in the subject’s pocket or clipped onto the belt, if that’s not achievable than sound engineer will have it routed directly to the mixer or a desired recording device.
Now we all make mistakes whilst recording in all areas, common ones for audio can be not getting mic close enough this is the most obvious to detect as it won't be close enough and the audio coming off from the mic will decrease in noise which will obviously indicate that it is too far from the subject. Another common one linked to the mic not being close enough is distracting noise in the background which can easily be resolved. Other common mistakes include:
·
Hiding personal on subject procedures distracting clothing rustle
·
Handling noise caused by changing hand position on boom or mic
·
Room having unnecessary echo
·
Forgetting to record room tone
·
Audio levels become clipped because of sudden loud noise
·
Forgetting to charge/replace the batteries
·
Radio interference from mobile phones
·
Power (Wattage)
·
Colour Temperature
·
Hard and soft lights
·
Housing (Reflector/lens)
·
Characteristics of light source
Their performance largely depends on the ambient temperature of the operating environment. Driving the LED hard in high ambient temperatures may result in overheating of the LED package, eventually leading to device failure. So we have to be careful in using these. If outdoors I wouldn’t pay as much attention to lighting, then I will with sound due to the fact of the natural lighting that I have and work with and even then a license is required and electricity is needed to power up the equipment which is all time consuming. Overall I wouldn’t say I have reached my full potential in this module so although there is more to come in the third year I hope to achieve all this and be able to perfect myself in the areas of technology and theory behind all the works.

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